
The Switch keeps Aniston firmly in romantic-comedy territory. The film plays like an extended TV sitcom—usually a bad thing for a big-screen film, but not such a knock here, given that audiences are accustomed to seeing the two lead performers on the small screen. There's a comfort level with these performers, and though they're not breaking any new ground in The Switch, the film provides a few laughs and goes easy on the outrageous humor it might have emphasized had it been rated R.
Instead of raunch, the movie reaches for sappiness, as Wally spends time with Sebastian, helping the boy confront a bully and offering a few life lessons for his offspring. The dad/son bonding is sweet at times but also an obvious ploy to pull in family audiences. It's a difficult balancing act that the film doesn't quite pull off. Family audiences are unlikely to enjoy the early part of the film, while the crowd that does enjoy the early humor might not feel similarly engaged by the warm and fuzzy family message the film ultimately tries to put across.
If it comes across as pandering at times, at least the film doesn't descend into the sexual gags and ever more shocking humor that have become commonplace in today's comedies. Considering the way the film could have gone, the final result comes as a relief, if not exactly a film that can be recommended.
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Questions? Comments? Contact the writer at crosswalkchristian@hotmail.com.
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