
One of the movies’ biggest surprises isn’t from one of the male cast members, though. It’s Beyoncé Knowles' performance as Etta James that’s truly remarkable. Unlike 2006’s Dreamgirls or 2003’s The Fighting Temptations where her acting was a little flat at best, here Knowles shines as the conflicted, smack-addicted blues singer of romantic gems like “At Last.” And when she’s singing, Knowles is good enough to make you forget that she’s Beyoncé of “Crazy in Love” fame, rapper Jay Z’s wife or Sasha Fierce, her alter-ego namesake on her current album.
It’s those soul-stirring performances (especially from Knowles), a fantastic musical score and an intriguing story of breaking boundaries—racially and otherwise—that eventually elevate Cadillac Records, even it’s technically just another biopic. It’s a familiar cautionary tale, for sure, but one that’s timeless enough to capture your attention for a couple of hours.
CAUTIONS:
Christa Banister is a full-time freelancer writer, specializing in music, movies and books-related reviews and interviews and is the author of two novels, Around the World in 80 Dates and Blessed Are the Meddlers. Based in St. Paul, Minn., she also weighs in on various aspects of pop culture on her personal blog.
For more information, including her upcoming book signings and sample chapters of her novels, check out her Website.
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