
There are also the Bond Girls and Bond Villains, and as in Royale they are more realistic takes on classic archetypes—fulfilling their purposes (the girls are gorgeous, the villains maniacal) while respecting our intelligence. Solace still avoids some of the classic Bond staples: no gadgets, no Q, no “Bond. James Bond.” introduction or “martini shaken, not stirred” request, but only die-hard fans will mind. For this new Bond (which is still being established), the exclusion feels apropos.
Royale was the longest Bond film ever, and now Solace is the shortest. The most obvious casualty of this severe cutback is character development. While not shallow, Quantum doesn’t dig much deeper either (though the Bond/M relationship continues to be substantive). Instead it relies heavily on what was established in Casino and, in that context, characters and situations still resonate. But here the complex story is the driving force, especially in the final act when the plot machine takes over so completely that characters (including Bond) become little more than cogs in the wheel—but oh, what a spectacular wheel it is.
CAUTIONS:
Jeffrey Huston is a film director, writer and producer at Steelehouse Productions in Tulsa, Okla. He is also cohost of the "Steelehouse Podcast,” along with Steelehouse Executive Creative Mark Steele, where each week they discuss God in pop culture.
To listen to the weekly podcast, please visit www.steelehouse.com or click here. You can also subscribe to the "Steelehouse Podcast” through iTunes.
free newsletters
